Thursday, February 2, 2012

Thinking While Black: Melissa Harris Perry and Marc Lamont Hill on the February 6th Left of Black

 
Thinking While Black: Melissa Harris Perry and Marc Lamont Hill on the February 6th Left of Black
Host and Duke University Professor Mark Anthony Neal is joined via Skype© by Tulane University political science professor Melissa Harris Perry, author of Sister Citizen: Shame, Stereotypes, and Black Women in America (Yale University Press). Perry discusses the “politics” of Black women and what she terms a “mis-recognition” of Black women as citizens.  Neal and Harris Perry contemplate the recent fascination with Black women’s “unmarriagability” and her soon to be launched weekend news show on MSNBC.
Later, Neal is joined via Skype© by Marc Lamont Hill, Associate Professor of Education at the Teachers College of Columbia University.  Hill is co-author, with celebrated political prisoner, Mumia Abu Jamal,  of the new book  The Classroom and the Cell: Conversations of Black Life in America.  Neal and Hill discuss the importance of black independent publishing, of communicating to broader publics beyond the Academy.  Lastly, Hill talks about the importance young people engaging Abu-Jamal’s incarceration in order to form a long-lasting movement against injustice.  

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Left of Black airs at 1:30 p.m. (EST) on Mondays on the Ustream channel: http://www.ustream.tv/channel/left-of-black. Viewers are invited to participate in a Twitter conversation with Neal and featured guests while the show airs using hash tags #LeftofBlack or #dukelive. 

Left of Black is recorded and produced at the John Hope Franklin Center of International and Interdisciplinary Studies at Duke University.

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Follow Left of Black on Twitter: @LeftofBlack
Follow Mark Anthony Neal on Twitter: @NewBlackMan
Follow Melissa Harris Perry on Twitter: @MHarrisPerry
Follow Marc Lamont Hill on Twitter: @MarcLamontHill

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Esperanza Spaulding--"Black Gold"




Eclectic jazz songstress and upright bass virtusuo Esperanza Spalding is back with "Black Gold", the vivacious first single from her upcoming album, Radio Music Society. Unveiled just in time for the beginning of Black History Month, the song is triumphant testimony of empowerment, and is bound to become a celebatory anthem for people from all walks of life. "Black Gold" features guest vocals from neo-soul songbird Algebra Blessett.

Wednesday, February 1, 2012

William "Sandy" Darity on Affirmative Action and Academic Performance

Affirmative Action and Academic Performance

The State of Things | WUNC
w/ Frank Stasio

A new study about racial differences in academic performance at Duke University is creating controversy – and it isn’t even published yet. Duke economist Peter Arcidiacono and his colleagues reported that African-American students are more likely to change from being math and science majors to programs in the humanities or social sciences at a higher rate than their white counterparts. 

The study also suggests that the switch to less rigorous majors was largely responsible for why the grade point averages of black undergraduates ultimately became comparable to GPAs of white students as they progressed through school. Duke’s Black Student Alliance organized a protest in reaction to the research and the study has drawn heated reactions from others in the Duke community. 

Host Frank Stasio reviews the report and the response to it with Arcidiacono, a professor of economics at Duke; William “Sandy” Darity, chair of Duke’s African and African-American Studies Department and Arts and Sciences Professor of Public Policy, and Economics; and Nana Asante, a Duke senior and president of the university’s Black Student Alliance.

Listen Here

What’s the Deal with Russell Simmons? Deconstructing the Black 1%


The Def Jam icon is part-activist, part-capitalist...so who is he really?

What’s the Deal with Russell Simmons? 
Deconstructing the Black 1%
by Mark Anthony Neal | Ebony.com

For far too many Americans, there is little distinction to be made among those who comprise the so-called 1%; this was made apprent recently in the dismissive reaction to the travails of locked-out NBA ballers, where the conflict was reduced to a battle between millionaires and billionaires (as if the NBA owners were not in position to set labor relations precedents—worker mobility, depressed wages, the value of labor unions—that could impact everyday American workers). The general lack of nuance with which many in this country engage the issue of wealth is symptomatic of a general inability to make broader distinctions between power and wealth. Thus it’s not surprising that many lump all of the so-called 1% into one group, as if they shared common values, traveled the same routes to their wealth, or deployed their wealth to the same ends—ends that are thought to be inherently antithetical to progressive movement.

The criticism faced by #Occupy Movement supporter Russell Simmons is emblematic of a trend among critics of Black elites about their seeming contradictory support of the movement. In one critique, “The Black Millionaires of Occupy Wall Street,” writer Cord Jefferson takes Simmons to task for his own business practices—like predatory pre-paid debit cards—noting that the Hip-Hop mogul’s support of #Occupy is “convenient” in that it “doesn't call into question the foundation on which he’s amassed a 35,000-square-foot home.” Simmons’ business practices are, of course, fair game—yet to think that Simmons, or any of the Black celebrities who have empathized with the movement are some how complicit in the world that the 99% are symbolically dismantling, is to not really understand how power really functions.

Simmons’ depiction as a celebrity endorser of a pre-paid debit card—as figures such as Suze Orman and Lil Wayne have recently launched such cards—has recently drawn his ire. In an open letter to the “Financial Press,” where Simmons compares himself to Richard Branson and Mark Zuckerburg, he writes, “With the issuance of the first RushCard, I created the first Prepaid Debit Card Account, requiring no linkages whatsoever to a consumer checking account. Today, millions of Americans manage their financial lives with the assistance of prepaid debit cards issued by UniRush and our competitors.”

Yet underlying Simmons’ complaint and response to the reduction of his business acumen to his celebrity is largely motivated by a dismissal of hip-hop culture and its constituents (or consumers, depending on your vantage) as anything of value. It is a well-worn accusation, that is more often on-point than not, but also highlights the classic spin of a cultural gatekeeper, who resists having to address real issues of accountability by continually highlighting his (now tenuous) relationship to hip-hop culture. Simmons may not be of a 1% that actually impacts policy in this country, like say the Koch Brothers or the substantial number of elected officials who are amongst the nation's most wealthy. Yet, his role in contemporary Black life is deserving of some level of scrutiny.

Read Full Essay @ Ebony.com

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Mark Anthony Neal is the author of five books including the forthcoming Looking for Leroy: (Il)Legible Black Masculinities (New York University Press) and Professor of African & African-American Studies at Duke University. He is founder and managing editor of NewBlackMan and host of the weekly webcast Left of Black. Follow him on Twitter @NewBlackMan.

From the Digital Crate: "What if the Greensboro Four had Twitter?"


From the Digital Crate: What If the Greensboro Four Had Twitter?
by Mark Anthony Neal | NewBlackMan

February 1st marks the anniversary of what I like to refer to as one of the greatest days in American History.  On that day in 1960, four young Black men—Joseph  McNeil, Franklin McCain, Ezell Blair, Jr., and David Richmond—all first year students at HBCU North Carolina A&T, sat at a Whites only lunch counter at a  Woolworth’s department store in Greensboro, North Carolina.  

This protest—formally known as a sit-in—began weeks of similar protests, that went viral throughout the American South in ways that mirror the functions of today’s social media.  The Greensboro sit-ins are widely remembered as the moment of activism that gave renewed energy and vigor to a Civil Rights Movement that was sputtering after the success of the Montgomery Bus Boycott.

The Greensboro Four, of course, did not have access to social media such as Twitter and Facebook, but nevertheless utilized what would have been the accessible technology of the days like land-lines, good-old fashion word of mouth, and what was really the cutting edge technology of the day: a mimeograph machine.  Those young folk, who would months after Greensboro, go on to create the Student Non-Violent Coordinating Committee (SNCC), under the watchful eye of Ella Jo Baker, understood technology, including television, as simply one of the tools they employed to make their case.

Civil Rights activist brilliantly exploited television cameras, helping to bring the marches in the streets straight into the living rooms of average Americans, whether they wanted to see it or not.  Many activists from the era point to the role that televised footage of young Black Americans being hosed down and attacked by police dogs played in generating sympathy for a nation that had been largely indifferent.

The spirit of the Civil Rights Movement of the early 1960s and the role that technology played during that time has been recalled in the last year with regards to the Georgia Prison Strike, the Arab Spring, the #Occupy Movement and the State murder of Troy Davis. 

Whereas prisoners in Georgia State prisons used disposable cell phones to organize non-violent protest via text messaging, Twitter and Facebook have been critical tools for the largely young folks taking to the streets in the Middle East.  In these cases, the ruling governments responded by shutting down internet access and eventually cell phone and traditional land-line coverage when protestors resorted to old-school forms of communication.

Among Black social media users in the United States, Twitter and Facebook were utilized by those  who created on-line petitions to protest an Ohio court decision to convict Kelly Williams-Bolar of “fraud” in response to her attempt to establish a second residency in a better school district for her two daughters, as was also the case with the highly visible efforts to save Troy Davis’ life  The efforts among, Black “digital natives” and “digital immigrants” (like myself) mirror recent advocacy efforts for the Jena 6, the Scott Sisters, and Haitian Earthquake relief—efforts that challenge perceptions that social media only  has a mind-numbing effect on young people.

Recalling the efforts in support of Williams-Bolar, critic and scholar  Kyra D. Gaunt acknowledged that “Twitter came along it felt like a change to me.”  Still it’s important to remember that, Social Media is simply a tool that connects to the long established human desire to resist oppression and suppression. 

As young folk, in particular, find more innovative and effective forms of Social Media, there will be those who seek to co-opt it for other designs.  50 years ago, Black radio was an important cog in the ability for organizers to get their message out to the Black masses, yet one would be hard pressed to think of Radio One—the largest Black-owned radio company—playing such a role in this environment. 

As the events quickly unfold throughout the world, it will become clear that many are looking at Social Media in a new light, whether its Twitter, Facebook or the memories of four young men sitting at a lunch counter in Greensboro, NC. 

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Mark Anthony Neal is the author of five books including the forthcoming Looking for Leroy: (Il)Legible Black Masculinities (New York University Press) and Professor of African & African-American Studies at Duke University. He is founder and managing editor of NewBlackMan and host of the weekly webcast Left of Black. Follow him on Twitter @NewBlackMan.

Tuesday, January 31, 2012

Trailer: The Invisible War



An investigative and powerfully emotional examination of the epidemic of rape of soldiers within the U.S. military, the institutions that cover up its existence and the profound personal and social consequences that arise from it.

Official Selection 2012 Sundance Film Festival

Ebru Today: James Braxton Peterson on Obama-Brewer and Beyond



James Braxton Peterson is Director of Africana Studies and Associate Professor of English at Lehigh University and the author of the forthcoming Major Figures: Critical Essays on Hip Hop Music (Mississippi University Press). Follow him at @DrJamesPeterson.

Monday, January 30, 2012

Left of Black S2:E17 | Memories of the Chitlin Circuit and Education in the Digital Age




Left of Black S2:E17 | January 30, 2012

Memories of the Chitlin Circuit and Education in the Digital Age
w/ Professor Guthrie Ramsey and Professor Cathy Davidson


Left of Black Host and Duke University Professor Mark Anthony Neal is joined via Skype© by University of Pennsylvania professor, author, and musician Guthrie Ramsey. Neal and Ramsey discuss the release of The Colored Waiting Room, a new recording from Ramsey’s band Dr. Guy’s MusiQology.  The two scholars discuss the idea of  “colored waiting rooms” as metaphors for the private aspects of Black culture and how critical such spaces were to the cultivation of  Black culture. 
Later, Neal is joined in the Left of Black studio by Cathy Davidson, professor of Interdisciplinary studies and English at Duke University.  Davidson is the author  of Now You See It: How the Brain Science of Attention Will Transform the Way We Live, Work, and Learn The Duke colleagues discuss the impact of digital technology in the classroom and whether infants are aware of race. 

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Left of Black is a weekly Webcast hosted by Mark Anthony Neal and produced in collaboration with the John Hope Franklin Center at Duke University.

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Episodes of Left of Black are also available for download @ iTunes U

Whistling Dixie (the remix): The Southern Strategy in the Age of Color-Blind Racism


Whistling Dixie (the remix): 
The Southern Strategy in the Age of Color-Blind Racism
by David J. Leonard | NewBlackMan

In recent weeks, with the GOP establishment coming to the aid of Mitt Romney and because of Newt Ginrich’s efforts to sell himself as an outsider, an increasingly visible narrative has emerged: as the anti-GOP establishment.  Given Newt’s racial politics and his entire campaign strategy, it is hard to think of Newt as anything but the GOP establishment.

At the same time, there has been a growing sentiment about the hegemony of colorblind racism within the GOP.  “Colorblind racism is the new normal in American conservative political thought,” writes Edward Wyckoff Williams.  The “2012 Republican candidates are using egregious signals and dog whistles to incite racial divisiveness as an effective tool for political gain. But when confronted about the nature of their offensive rhetoric, the answer is either an innocuous denial or dismissive retort.”   The codes or dog whistle politics are not new, nor is the denial.  While the audacity of race denial may be on the rise, the clarity of the GOP’s race politics have been on full display.  No secret decoder is necessary especially as we look at the larger history of race and the GOP. 

Saturday, January 28, 2012

Christina Says Good-bye to Ms. Etta

Remembering “The Colored Waiting Room” and the “Myth” of a Culture of Distraction on the January 30th ‘Left of Black’




Remembering “The Colored Waiting Room” and the “Myth” of a Culture of Distraction   on the January 30th ‘Left of Black’

Left of Black Host and Duke University Professor Mark Anthony Neal is joined via Skype© by University of Pennsylvania professor, author, and musician Guthrie Ramsey. Neal and Ramsey discuss the release of The Colored Waiting Room, a new recording from Ramsey’s band Dr. Guy’s MusiQology.  The two scholars discuss the idea of  “colored waiting rooms” as metaphors for the private aspects of Black culture and how critical such spaces were to the cultivation of  Black culture. 
Later, Neal is joined in the Left of Black studio by Cathy Davidson, professor of Interdisciplinary studies and English at Duke University.  Davidson is the author  of Now You See It: How the Brain Science of Attention Will Transform the Way We Live, Work, and Learn The Duke colleagues discuss the impact of digital technology in the classroom and whether infants are aware of race.

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Left of Black airs at 1:30 p.m. (EST) on Mondays on the Ustream channel: http://www.ustream.tv/channel/left-of-black. Viewers are invited to participate in a Twitter conversation with Neal and featured guests while the show airs using hash tags #LeftofBlack or #dukelive. 

Left of Black is recorded and produced at the John Hope Franklin Center of International and Interdisciplinary Studies at Duke University.

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Follow Left of Black on Twitter: @LeftofBlack
Follow Mark Anthony Neal on Twitter: @NewBlackMan
Follow Guthrie Ramsey on Twitter: @DrGuyMusiQology
Follow Cathy Davidson on Twitter: @CathyNDavidson

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Urban Organic with Bryant Terry | Episode 1: Aquaponics in North Oakland



Bryant Terry visits an aquaponics farm in Oakland, California’s Mosswood Park. Urban Organic is a three part series that features cutting-edge chefs, urban farmers and social innovators who are bringing urban agriculture to neighborhoods in America that need them most.

Friday, January 27, 2012

"Somebody Here is Lying and it's not POTUS"--James Braxton Peterson on MSNBC



James Braxton Peterson is Director of Africana Studies and Associate Professor of English at Lehigh University and the author of the forthcoming Major Figures: Critical Essays on Hip Hop Music (Mississippi University Press). Follow him at @DrJamesPeterson.