So here’s the backstory: Joan Morgan and I have known each other for about 35 years. We grew up together in the same South Bronx tenement—1231 Fulton Avenue—and went to “Head Start” and Kindergarten together. Our parents, especially our not-so-feminist-feminist mommies, always knew we’d be South Bronx success stories, but neither Joan nor I thought we’d ever become part of the chorus of “voices” that would help define a generation. In many ways New Black Man is a response to When Chickenheads Come Home to Roost—the kind of cross-gender conversation that hip-hop needs to be about now. Recently Joan and I have been fortunate to take our show on the road. We were both in the room when KRS-One imploded at Stanford a few weeks ago, but we won’t be discussing that here. More recently Joan and I spent a few days at the University of Tennessee at Knoxville, where we were hosted by professors David Ikard (a fellow black male feminist) and George White. The video links to our conversations are below:Understanding Chickheads, Pimps, Golddiggas, and Gangsta Rappers: A conversation with Hip Hop Feminist Joan Morgan and Mark Anthony Neal
Hip Hop Culture in the Academy: A panel discussion
Panelists: David Ikard (Moderator), Joan Morgan, Mark Anthony Neal, George White, and RaMonda Horton Ikard


11 comments:
I'm on a comment rampage :) Just wanted to let you know that i've been enjoying your blog for about a week now...I'm definitely gonna watch those clips when i get home. I'm always amazed to find black male feminists. I only personally know 2.
Re damali's comment:
"I'm always amazed to find black male feminists."
I agree - that is one of the issues which I cover in my blog.
i love the internet for this reason--i've been reading you faithfully for a couple of years ever since Dyson referenced you in one of his Chicago Sun Times columns some years back. I'll probably never be able to take one of your courses, so I do appreciate you putting the links to the panel presentations with joan morgan and others. it just makes your work all the more accessible. thank you!
thanks for posting a link to the video. i'm definitely going to mention this on my site - this is a must see conversation.
The KRS one i heard was angry, sad, and tired. black people goodness... we have to learn to talk to each other and not up/down to each other.
had some questions that I wanted to ask. . . but I wasn't there.
good nice panel. I always wish that these things last longer.
One thing though. Let's not give Mansbach too much credit, OK. The book reads more like a recollection of a white, hip hop fanatic's stream of nightly dreams. Mansbach stalks hip hop in the same way my cousin's ex-boyfriend wouldn't leave her alone (they eventually wed because the dude just wouldn't go away and Mansbach wrote the book because his dreams wouldn't either)
The sensationalism employed in the storyline strips all things literal of their creditability. ]
There's something strange about a white man being heralded as having written the "quintessential hip hop novel". And then, him riding it out.
I was heated after I read that book. Not to mention that it was terrible.
i am so excited to have found this blog! both of your books (you & joan) have made me nod my head as if i was listening Premier circa '94. i will definitely be checking back.
So glad to find you here; saying the things that need to be said so seeds that need to be planted might begin to grow.
I love hearing you two break it down!!
Dr. Neal, have you written anything in response to those white boys "allegedly" raping the black woman? What's the campus climate like in the aftermath?
I'm trying to make email contact with Stephane Dunn. Please help. hoover.14@nd.edu
biggest thanks,
coleen
i am so behind the times. I read When CHickenheads.. but still have to read your stuff. soon, man soon.
but i dig Ms. Morgan BIG TIME
Post a Comment