NewBlackMan

“I am a man of my times, but the times don’t know it yet.” --Erik Todd Dellums as "Bayard Rustin" (Boycott)

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Name: Mark Anthony Neal
Location: Durham, NC

MARK ANTHONY NEAL is the author of four books, What the Music Said: Black Popular Music and Black Public Culture (1998), Soul Babies: Black Popular Culture and the Post-Soul Aesthetic (2002), Songs in the Keys of Black Life: A Rhythm and Blues Nation (2003) and New Black Man: Rethinking Black Masculinity (2005). Neal is also the co-editor (with Murray Forman) of That’s the Joint!: The Hip-Hop Studies Reader (2004). Neal is Professor of Black Popular Culture in the Department of African and African American Studies at Duke University. A frequent commentator for National Public Radio’s News and Notes with Farai Chideya Neal also contributes to several on-line media outlets, including NewsOne.com. Neal’s blog “Critical Noir” appears at VibeMagazine.com. In the Fall of 2008, Neal will be a Visiting Scholar in the Annenberg School for Communications at the University of Pennsylvania

4.08.2008

Hearing (Thinking) Black Death


from CRITICAL NOIR @ Vibe.com

Hearing (Thinking) Black Death
by Mark Anthony Neal

The very first sentence of Michael Eric Dyson's new book April 4, 1968 reads: "You cannot hear the name Martin Luther King, Jr. and not think of death," to which specifically, I might add, you cannot help but think of Black Death. And perhaps that is as it should be. There's a certain logic to the fact that a culture that has been so obsessed with questions of freedom, subjugation, liberation and incarceration would have an equally striking obsession with death. Perhaps more than any culture in the Americas, Blackness has had to come to terms with the idea of death--the Middle Passage, Lynching, the Underground Railroad to mark just a few historical moments--all framed by acts of movement, resistance, retribution, in which death, Black Death, was tangible and visceral. And indeed it's been in the province of black creative expression--Black Genius more broadly--that Blackness has found the space to think through the idea death, not just as a grieving process, but an act of freedom in its own right.

When the JC White Singers, bravely asked in 1971 "Were You There, When They Crucified My Lord?" it was something more than just another memorial recording marking the passing of the greatest symbol(s) of Black liberation struggle. "Were You There?" was one of those timeless spirituals of Negroes Old, but at the moment that the JC White Singers sang its words, it became a defiant response from a culture that long understood that filling the air with the sound of black grief and black trauma was perhaps the most defiant act possible.

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1 Comments:

Blogger one soulful negro. said...

your writing moves me man. 'were you there' has always been one of the most powerful songs that i have ever come across. michael eric dyson also himself has a power, through his use of words and presentation, to evoke truth and raw emotion especially in regards to that of struggle. black struggle.
powerful essay man. powerful!

13/4/08 19:24  

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